PREVIEW: Buono!'s is releasing their new single Gachinko de Ikou! in less than two weeks and you can view the full PV below.
We've heard the song before so nothing new there. The PV seems to be edited down since the radio rip was over 4min long while the PV is just 2min 20sec. Not sure what is going on there, I suppose the tv program has just cut the ending off. I really like the poker scenes, the lighting and mood is perfect. The whole PV is pretty good.
C-ute's Maimi & Erika are on the Club DAM website with special presenter Suzanne. I'm not 100% certain what Club DAM is, or what the point of it is but Suzanne gives a little comment on meeting the two C-ute members in one video and in the other Maimi & Erika have a short message.
Either way C-ute+Suzanne=Winning combination. You can't go wrong here. The website says that the full show (Vol.97) featuring C-ute will be available on the 2nd of September.
Check out the Club DAM website and click on the video links to see the previews.
Labels:
C-ute,
Suzanne,
Umeda Erika,
Yajima Maimi
I AM YOUR SINGER Southern All Stars
I AM YOUR SINGER is Southern All Stars' 53rd single and a commemorative track for their 30th anniversary. The song is a very happy style track with some vocal synthesis in certain bits. Southern All Stars' are very popular in Japan but they don't really do it for me. I can appreciate that the track is kind of cute but I could hardly listen to it the whole way through. I'm not a fan of the main singer's voice and the song doesn't have many different levels, it's pretty bland the whole way through.Rating: C
RAINBOWS alice nine.
alice nine. is a Oshare/Visual-Kei band and RAINBOWS is their 13th single. Once again, the main singer's voice isn't ideal for me. It's similar to a lot of Visual-Kei groups, very deep, Hyde-ish like. I don't like it. Apart from that, the song isn't too bad. The instrumental is really nice and the sound is a nice blend of rock and mainstream pop, which is really pretty in certain parts. The voice ruins the song for me. I know some people like that style of voice but for me it's not my taste and this is my review so there!
Rating: B-
Shiny GATE Nakagawa Shouko
I want to like Shouko, I REALLY do. She's a major Morning Musume fan and she's funny and cute. This song is just so un-inventive and bland though. How does something like this become a single? It sounds like an ordinary B-side or album track. Shouko's idol vocals are nice and do suit the song, I suppose. I'll give her props for her Olympic themed PV, it's pretty awesome. I think the judges must've been deaf though, cause the song sucks.
Rating: C+
Hotaru Onitsuka Chihiro
Hotaru (Firefly) is Onitsuka-san's 14th single and was the theme for Last Game Saigo no Soukeisen. It's a very simple ballad to a piano instrumental. The song is ok, it's nothing special but it's not necessarily bad. Onitsuka-san's are the nicest thing about this release. She does have a beautiful voice and handles the lower registry really nicely while flawlessly floating to some of the higher notes. Not bad, but forgettable.
Rating: B-
Single of the Week

Kane wo Narashite Bonnie Pink
Kane wo Narashite Bonnie Pink
I listen to all the songs I review before I pick my single of the week and Bonnie Pink's new track was the first I listened to. If you had told me then that it would be my Single of the Week I would have laughed. I honestly have not been impressed by this week's releases at all.
Kane wo Narashite (an English ver of this song - Ring a Bell - was also released. I'm reviewing the Japanese version) is Ms Pink's 24th single and the theme of Tales of Vesperia which is a game on the Xbox 360. It is a mid-tempo track with rock elements. Bonnie's voice isn't the greatest in the world and she struggles with the higher notes but it somehow works in the midst of the song. The winning points in this track are the chorus which has a few nice sounding lines at the beginning which set it apart from the verses nicely. It kinda falls apart after that though, it could have been better. I also liked that at about the 3/4 mark the song veers left and decides it wants to go down another road with an unexpected turn. A nice little bridge, better than most.
It's not an overly fantastic track but when thrown amongst mediocrity it comes out on top, at least in my eyes. It had grown on me though, so I'll let you make up your own minds. You can listen to the track in the media player at the top of this blog. Let me know what you think.
Rating: B
I'll do a review of THE Possible's new single sometime within the next week hopefully. The track is my favourite new release but for non-bias purposes, my Single of the Week is always non-H!P/TNX related. So look out for a review soon.
G is for GIFT
ORICON ROUNDUP: Two high selling artists dominate the charts this week with Amuro Namie’s BEST FICTION topping the Album chart while Mr.Children’s GIFT is the no.1 single.
Amuro Namie’s achievement is stellar this week and the Queen of Hip-Pop continues to climb the road to glory in Japan. While most other artists are sliding down, Amuro is forever improving in popularity and sales. BEST FICTION, Amuro’s 3rd Best-of Album sets the record for the best first week sales of any album this year with over 681K copies sold (and you thought EXILE’s 400K last week was impressive). EXILE is continuing to sell, ranking 2nd with 80K sales, while GReeeeN and Kimaguren’s albums stick to the top five along with the Koi no Uta compilation which refuses to die.
The singles' chart this week also has 2 big sellers with Mr.Children and Aladdin scoring sales over 150K. GIFT, Mr.Children’s 32nd single took a hefty 194K and top spot on the charts while Aladdin sold 151K. Coincidently, Satoda Mai almost sold more albums with this one single than she had in her entire stint in County Musume (not quite but VERY close). The Studio Ghibli theme Gake no Ue no Ponyo continues to sell in its 7th week, posting its best sales yet of 40K.
C-ute’s Edo no Temari Uta II is at no.5 with sales just under 28K, slightly lower than their previous singles’ but with sales events in the 2nd week, it will reach the 30K mark with ease and may surpass the past few.
Last week’s no.1 Hey! Say! JUMP is at no.8 this week with 19K, while my pick for Single of the Week is at no.10, Kalafina’s sprinter / ARIA selling just under 14K (I personally think it deserved better but they aren’t too well known, I guess).
CHARTS:
Singles:
01: GIFT Mr.Children 194,144
02: Hi wa, Mata Noboru Aladdin 151,597
03: Gake no Ue no Ponyo Fuijioka Fujimaki & Oohashi Nozomi 40,574
04: Tsukihime Takamizawa Toshihito 31,960
05: Edo no Temari Uta II C-ute 27,805
06: Motto Tooku e / Orchestra Remioromen 25,653
07: Taiyou to Bikini RIP SLYME 22,495
08: Your Seed / Boukan Rider Hey! Say! JUMP 19,145
09: Waga Routashi Aku no Hana ALI PROJECT 16,439
10: sprinter / ARIA Kalafina 13,833
Albums:
01: BEST FICTION Amuro Namie 681,187
02: EXILE ENTERTAINMENT BEST EXILE 80,995
03: A, Domo. Ohisashiburi Desu. GReeeeN 28,548
04: ZUSHI Kimaguren 22,092
05: Koi no Uta (Various Artists) 19,780
Labels:
Amuro Namie,
Mr. Children,
Oricon
REVIEW: I’m a pretty big fan of C-ute and I eagerly await each one of their releases. I’m the kind of fan who stays up late to see if Dohhhup! has uploaded the PV yet, listens to horrible concert previews, dodgy radio rips … that kind of stuff. Pretty much an average C-ute fan ;)
C-ute released their 6th major single Edo no Temari Uta II last week and like all C-ute releases, I was really into it from the get go!
SINGLE REVIEW
Edo no Temari Uta II: The thing I like about C-ute is that you never know what you are going to get. From Namida no Iro’s Latin flavour to Tokaikko Junjou’s dance beats to Meguru Koi no Kisetsu’s happy style, every song of theirs is unique and set apart from the rest. Edo no Temari Uta II is no different, with a track which I can’t really specify a genre for. It seems to have elements of blues and traditional Japanese but the finishing product is very unlike anything I’ve heard before.
Temari Uta, or handball songs, are traditionally very slow, however C-ute’s version of this song is titled II as it is a remake (of an unreleased song, mind you) with a more upbeat, fairy tale styled arrangement. I definitely think it suits C-ute to a tee and the quirky nature of the song makes it a hit from the beginning.
I have to make note that EVERY girl gets a solo line in this song, a first for C-ute and I could not be more pleased. The fact we get to hear from Erika, Kanna and Chisato is amazing, not to mention that they all sound really great. The usual singers are good as always and the mix of vocals just adds to the strangeness of the song, from Chisato and Maimi’s smooth vocals to Mai and Saki’s cute voices, and then Kanna who seems to not fit any category and at the same time fit them all. Strange girl that one. Chisato's vocals shine and she really should be a regular lead for all C-ute songs. Airi as usual, is very good.
I also enjoy the story behind the song, the Meireki Fire which wiped out much of Edo Japan in one disastrous event. The style of the song may not suit the sadness of the situation but the thought behind it is a pleasant change from the nonsensical lyrics of most H!P songs.
Something most people seem to be down about is the length. The song is short, there is no way around it. At 2:31 it does leave you wanting more, but I personally would not want to substitute quality for length. Another set of verses could have been added on the condition that it aided the song’s story. I wouldn’t want the chorus to repeat another 5 times though. It’s fine how it is.
Wasuretakunai Natsu: This track is the theme song for C-ute’s upcoming Summer concert tour and it epitomizes Summer in its laid back style. The song isn’t overly catchy but it is pretty nice and reminds me of an anthem rather than a pop song, mostly sung by the whole group. It’s uplifting and sweet. You have to love when the girls sing “in my heart” – too kawaii! It’s not a song you’re going to have stuck in your mind but it’s great background music, not overly intrusive and nice for a b-side.
Something of note is that Chisato and Saki sing the only solos towards the end which is another nice change from the usual vocal patterns.
PV REVIEW
The high point of this single release for me is the PV. It truly is one of the best PVs to come out of H!P this year, perhaps on the same level as Resonant Blue’s Another Ver. (which I liked).
The first thing that is so great about the PV is the setting. The backdrop of the danceshot is just incredibly intricate and beautiful. Clouds, Sun rays, fluorescent lit symbols, shiny black stage, the random H!P posters, it really has a lot of work put into it. The edit of the PV takes full advantage of the beautiful backdrop, with shots of the silhouette trees against the suns thrown in during the course of the PV. The florescent lights on the bottom of the set reflect in the floor giving a great aeffect as the girls dance in front of them and look great in the close-up shots too. The spotlights on the centre of the suns, was another really nice touch. All in all I am very impressed with the effort put into the setting of this PV, it is much more planned and thought out compared to some recent PV backdrops.
The outfits have been a large talking point amongst H!P fans and I am on the side which likes them (surprise, surprise). Alone they look a tad eccentric, but together, with the backdrop, the colours all melt into this gorgeous eclectic painting of Edo wonder! The costumes themselves are very intricately made, if you see close up shots you can see they have beautiful patterns and a lot of detail. I also like that every girl’s outfit is unique from the other’s and it makes each member stand out from the others equally.
Now we have the dance which is unusually sombre for C-ute, who tend to have very advanced dances. I really love the moves at the beginning during the intro. The rest of the dance is made up of very static, small moves, mostly involving the girl’s arms. I actually think that in the midst of the backdrop, the style of the song, the outfits etc that the dance fits really nicely. I imagine it has some sort of Edo influence and it does look like a nice mix of traditional and modern. It’s not Tokaikko Junjou or Namida no Iro but it is becoming in its own special way.
I really love this PV as you may have noticed. It’s right up there with Tokaikko Junjou.
ROUNDUP
Edo no Temari Uta II for me is a wonderful release. I can imagine that the style may not suit everyone but I do think it is a nice homage to the Edo era released in a modern mix that can appeal to current audiences. I think fans of C-ute who admire the bravery and uniqueness of their releases are sure to love this new release just as much as past ones.
Edo no Temari Uta II: A-
Wasuretakunai Natsu: B
Edo no Temari Uta II PV: A
Overall: A-
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